Gibson’s output is bred by his indispensable draw towards creation, an expressive therapeutic flow of visions and beliefs, real life situations and dreams, comprising a combination of elements incomparably extricated and productively gifted.

In her figurative paintings, drawings and sculptures, Claire Tabouret scrutinizes identity and takes a closer look at childhood and its enigmas, the individual isolated or within a group. Sometimes covered, made up or disguised, children and women with mute faces stand upright in front of the viewer like frozen frames.

Back in the 1990s, Brian Calvin began developing a figurative, non-narrative, pictorial style. Landscapes and portraits steeped in his Californian roots dominated this work. Close-up treatment of subjects, highly composed structures, as well  as  luminous colors laid flat endow these large-scale paintings with a  strange temporality.

Sorayama stands as a rare figure in the art community, simultaneously celebrated by prestigious art institutions and sought after by high-fashion houses, erotic publications, and technology corporations.

Over the years Calleja has worked with drawings, installations, sculptures, and paintings, often playing with the scale and perspective in his presentations. Working both in minuscule and large scale his installations regularly focus on beguiling the viewer as a significant part of the work.