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Poster "Festival du Marais"

€150,00 EUR

by Jean Dewasne

1973

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Almine Rech Editions is pleased to present a selection of signed and numbered limited editions dating back to the 1960s by French artist Jean Dewasne, alongside a group of original exhibition posters produced between the 1970s and the 1990s.

Offered exclusively in conjunction with the exhibition held Almine Rech Paris, Matignon between January 10 and March 14, 2026, this collection offers rare access to archives by one of the major figures of post-war geometric abstraction.

Born in 1921 in Lille, Dewasne was a founding member of the Salon des Réalités Nouvelles, and a central figure in the development of constructive and abstract painting in France. Throughout his career, he pursued a radical exploration of colour, structure and spatial rhythm, developing a distinctive visual language based on powerful chromatic contrasts and architectural composition. His work was widely exhibited in Europe, Japan and the United States, and is held in major public and private collections.

Each limited edition is hand-signed by the artist, while the posters were created for important institutional and gallery exhibitions during his lifetime. Together, these works reflect the evolution, reception and intellectual rigor of Dewasne’s practice across several decades, and offer a compelling way to engage with the depth, coherence and enduring relevance of his artistic vision.

Kindly note that for purchases made outside the European Union, taxes and import duties are not included in the listed price and will be the responsibility of the buyer.

All limited edition prints are sold unframed unless otherwise specified.

Technique Print on paper
Dimensions 87 x 63 cm - 34 1/2 x 25 in
Publication Date 1973

by

Jean Dewasne

Jean Dewasne, a key figure of the Geometric Abstraction movement- which he preferred to describe as Constructed- had a multidisciplinary education, having studied architecture as well as music, philosophy, mathematics, and, of course, fine arts. He defended his theories within the renowned Atelier d'art abstrait (Abstract Art Studio), which he founded in 1946 with his friend Edgar Pillet, and which trained many artists from around the world.

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