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In a reduced design language and bright colours, Wesselmann erotically staged the female charms of his model. The artist deliberately worked with clichés - as an ironic-critical commentary on the cult of stardom and the progressive sexualisation of US society.

Along with Andy Warhol, Robert Rauschenberg and Roy Lichtenstein, Tom Wesselmann played a significant role in shaping the art history of the 20th century as one of the outstanding representatives of Pop Art.

Wesselmann's subject matter targets a central area of modern society: the world of the cult of sex and stardom, strikingly displayed through advertising and visual media. His works make creative use of the methods of advertising and illustrated magazines and draw attention to them.

He became known in 1961 with his female nude "Great American Nude", the title of which became the generic term for a series that caused horror among art critics and connoisseurs. In contrast to other artists of his genre, who deal with consumer goods ironically and critically, for Wesselmann, the aesthetic view is paramount. He stages his female nude models in elaborate interiors, in front of gathered curtains and plump fruit bowls. Wesselmann's strikingly erotic motifs are even more provocative due to the often faceless models, whose sexual characteristics are emphasised by tan lines, for example.