by
Ha Chong-Hyun - London/Paris
by Ha Chong-Hyun
2017
Features ‘The Serenity of Ha Chong-Hyun’s Gestural Abstratction’, an essay by Alfred Pacquement.
Ha Chong-Hyun (born in 1935 in Sancheong, Korea) is a leading member of the movement known as Dansaekhwa, or “monochrome painting”, who has consistently used material experimentation and innovative studio processes to redefine the role of painting, playing a significant role bridging the avant-garde traditions between East and West
This double-sided catalogue is published in conjunction with Ha Chong-Hyun’s exhibitions held at Almine Rech Paris, from April 22 to June 1, 2017, and Almine Rech London, from June 1 to September 23, 2017.